Life with A Poet at the Edinburgh Fringe

This originally featured as a guest post on the excellent blog 12 Books in 12 Months. Thanks to lovely Ali for the opportunity to post there. As well as checking out her blog, you should become a fan on Facebook.

It was also, rather excitingly, published on Huffington Post UK.

It’s not always easy being married to a poet. Young and I use up a significant number of babysitting credits, not on romantic dinners, but on evenings in dingy pubs, where I sit and watch him reading to half a dozen people. He is always shouting ‘that’s a poem’ in the middle of our conversations, and rushing off to scribble down a phrase or idea. And we spend hours trekking around stationery shops looking for just the right notebooks, because no others will do (yellow Levenger – A4 – lined).

I have always consoled myself with the thought that maybe, one day, Young would write a lovely poem about what a wonderful and supportive wife I am.

In some moment of madness, earlier this year, Young agreed to do a solo show as part of the PBH Free Fringe. He may have still been on some crazy, slam-induced adrenaline high after his time at the Poetry World Cup in Paris, or he may have genuinely thought it was a good idea… I will never know.

All I know is that it has taken over our lives for the last couple of months. We had no idea what was involved (and I use ‘we’ intentionally – this has certainly been a joint venture). Doing a ten minutes slot at someone else’s show is one thing; doing a whole hour by yourself is quite another.

There is the constant emailing about organisation, the Fringe registration, and the flyers… there are Tweets, texts, and Facebook event pages… there are press releases to send, photos to resize, programme entries to write, and blog posts to pimp…there is deciding what to wear, and how to stand, and whether it’s okay to read off the page… there is showing up to every other spoken word show, in the hope that the favour is returned… there is flyering in the rain, a preview in London that you really don’t want to do… and then that awful feeling of performing to two people, one of whom is your mother-in-law.

Oh yeah, and then there’s that hour-long show to write.

So why does he do it? What makes it worthwhile? I can’t speak for Young, but I think it’s probably for the small moment of satisfaction you get; from that one person who comes up at the end of a show and says that one of your poems has touched their heart; from that one stranger who takes the time to write something nice on your Facebook page; and from that one short but sweet review (she says, hopefully) that you can cut out and stick in your son’s scrapbook.

I do not grudge a minute of the time that Young and I have spent working on his show. Putting all bias aside, I think it is wonderful, and I am incredibly proud of him. I don’t even mind that in order to hear the one poem that he finally wrote about me, I have to sit and listen to fifty minutes of poetry about the other women in his life. I just hope that after all that effort someone (other than my Mum) shows up.

Young Dawkins performs What I Know About Women So Far at The Royal Oak on the following dates:

8th-11th and 15th August at 2pm

22nd-25th August at 3.15pm

You can visit his website at www.facebook.com/YoungDawkins

He is also compering the first BBC Slam Poetry Competition at the Fringe, details of which can be found here, here, and here.

Edinburgh Fringe: The Halfway Point

We’re halfway! Or almost. It may be only one week into the Edinburgh Fringe, but on Sunday the third issue of Fest magazine will be sent to the printers, with only two further issues to go… and by Monday afternoon DorkyDad will have done five of his solo spoken word shows, with only four more shows left in the run.

There is plenty fun left to be had, (and hopefully the sun will make an appearance at some point too), but here are some of my highlights (and a couple of lowlights) so far.

Highlight: Fest writer cuts out the middlemen

This made me laugh. We wanted to do an interview with the wonderful Neil Gaiman for the Kids section of Fest. Stevie – the writer who was assigned the job – spent several days trying to track him down – through the Book Festival Press Office, then Neil’s publishers, then his PR, then his PA…  They were all very friendly, but noncommittal because Neil was ‘travelling’. When her calls weren’t returned, she finally resorted to sending him a message on Twitter, and within an hour they’d got a time and venue set up. Seems he was in Edinburgh after all. Props to Stevie for tracking the man down, and props to Neil for responding so positively. You can read the interview here.

Lowlight: Rain

There’s really not a lot to be said about the rain, except that it is ever-present. It makes everything harder – flyering, queuing, getting DorkySon’s pram into any of the outdoor venues, finding somewhere to have lunch – and I hope it goes away soon.

Highlight: I pretend to be John Hegley, briefly

I was lucky enough to spend half an hour interviewing John Hegley, who is also in town with a show. We started chatting about social media, and I mentioned seeing that he’d joined Twitter a few days earlier, and was already up to 2500 followers. “Well yes,” he said. “But a friend set me up and I don’t really know how to use it. There’s something I want to say to all my Twitter followers today though. If I give you my password will you send it out for me?”

Umm…

So he wrote what he wanted to say in my notebook (and, amazingly, it was exactly 140 characters long….), and then he wrote down his password. And when I came home, I logged into John Hegley’s Twitter account and sent a Tweet on his behalf.

I’m still scratching my head about that one. What an amazingly trusting, lovely man. You can read the interview here.

 Lowlight: Rioting

Okay, so the riots didn’t spread this far North. You can see the full extent of the Edinburgh riots here. (You really should watch that, it’ll make you laugh…) But the city is full of Londoners at this time of year, and it wasn’t much fun for them to sit several hundred miles away, watching the news footage on TV and wondering if they were going to have homes to go back to. Nearly a week on, and most comedians have incorporated something about the rioting into their show, but it still cast a shadow over proceedings for the opening weekend.

Highlight: Fest’s Kid critics cut everyone down to size

‘How cute!’ everyone said. ‘What a nice idea’ they cried. Yes, everyone thought it was a great idea to have children – aged between 5 and 10 – reviewing children’s shows for Fest… until they started to read the submissions.

“I did get bored as it was a bit too long.”

“One of the actors sometimes forgot their lines.”

“I only give the show one star.”

Personally, I think they’re some of the best reviews I’ve ever read of the festival. Completely honest, to the point, and BS free. The kids aren’t self-conscious, they don’t dress things up with long words, and they write for themselves rather than their audience. If there’s any justice, they’ll be back again next year.

Lowlight: Celeb Spotting

I’m not doing very well with this yet. I’ve seen Mark Watson walking up some steps in George Square, and Stewart Lee pushing a pram through the rain in Marchmont. Meanwhile my friends are putting pictures of themselves with John Malkovich up on Facebook. Must do better.

Sorry for the lack of blog posts at the mo. Hopefully that gives you some idea why. Normal service will be resumed in September.

Live In The Now August

Pink blossoms on a blue background with the slogan 'live in the now'

Although Scribbling Mum will no longer be hosting the link-up, I’ve decided to carry on with the tradition she started of doing a monthly Live In The Now post. This is partly a look at what’s to come in August, and partly a reflection on 2011, since we’re now well into the second half of the year.

There is a stack of empty pizza boxes by the front door, that haven’t yet made it out to the recycling bins. Mounds of clean but unfolded laundry are piled high on every available surface. Our plates are shifted from dishwasher, to dinner table, and back to dishwasher again, without ever making it into the cupboards. Welcome to the Edinburgh Festival. Continue reading

Marks and Me

This was originally featured as a guest post over at Scribbling Mum. Thanks to lovely Caroline for giving me the opportunity to post there before she made the decision to stop blogging herself. Her excellent posts will be much missed.

I am finally resigned to my fate. After years of fighting it – of squeezing myself into clothes that were the wrong shape, shoes that were the wrong fit, and underwear that was just too darn small – I have accepted that my natural match on the high street is, in fact, M&S.

For too long, I have associated the place with the fashion disasters of my schooldays and teens. A flick back through my parents’ photo albums reveals an astounding number of sartorial horrors – palazzo pants, t-bar sandals, furry gilets, pinafore dresses, hypercolour t-shirts, and polyester, calf-length culottes – that all originated from the sweaty confines of M&S.

Until recently, it represented everything awkward about growing up. It’s where I stood, shoulders hunched, cheeks burning, being measured for my first proper bra. It’s where I argued with my mother about how short my skirts could be and how high my heels could be. It’s where I first had to confront the issue of whether to wear a bikini on holiday.

So for the last ten years, I’ve given M&S a wide berth. I have tried, at times, to be a sparkly-socked TopShop girl. I have bought neutrals in Gap, jeans in French Connection, and, most recently, have been living in leggings and smocks from Boden. I have not exactly been setting the fashion world on fire, but nor have I stooped to the florals and pastels of Per Una.

Recently though, things got a little desperate. I needed a wedding outfit. I tried all my staple places. I spent hours walking up Princes St, and then hours walking back down George Street. I found nothing. Nada. I was waiting for the bus home, wondering how the heck I was going to jazz up an old outfit; most of the dresses in my wardrobe had barely fitted me pre-baby, they were unlikely to be any more flattering now.

Anyway, by some coincidence, the bus stop was right outside M&S. And with twenty minutes until the number 41 was due, I figured I had nothing to lose. I might as well take a look.

It took about three and a half minutes to find a perfect dress, which came with a matching shrug. There was a bag and a bracelet hanging an aisle away that both went perfectly with it. I nipped upstairs for a new bra and pants. And then thought I may as well take a peek at the shoe department, where I found a pair of heels that were both cute and comfy.  The whole bundle was less than a hundred quid, and I still managed to catch my bus.

It pains me, massively, to realise that I have become an M&S mum. My husband says sometimes, in jest, that my sense of style hasn’t quite yet recovered from my student days… but the truth is probably worse. I haven’t quite accepted that I won’t be one of the truly yummy mummies – the ones who wear skinny jeans three days after giving birth. I would like to be an Angelina or a J-Lo or a Gwyneth, with a baby on one arm and a Balenciaga bag on the other. I would like to smell of Chanel No 5, instead of strawberry yoghurt. And I would really, really like to be able to walk in heels. But a quick flick through those photo albums – a glance at those sandals – should have been enough of a clue that it was never going to happen.

So I have come full circle. I am back to good old Marks and Sparks. I am learning to be okay with that. And tomorrow I’m going back for another outfit.