The end of the Edinburgh Festival (and I feel fine)

So it’s the final weekend of the Edinburgh Fringe! Thank goodness. Fun though it has been, it’s time for life to calm down again… or at least time to start drinking a little less and sleeping a little more.

I did a post halfway through the Fringe, about some of my highlights at that stage, and I’ve already done one over-emotional post about some of the lovely people I encountered throughout August, but here are some of my other festival moments I haven’t had a chance to ramble about yet.

Nom Nom

We might as well get the food chat out of the way. Lord knows you’ve probably worked out by now that the only think I enjoy more than eating is writing about eating. Next year I’m determined to spend an entire day wandering from food stall to food stall, trying everything that the Fringe has to offer. This year I only made it to one or two old favourites, but found time to taste the offerings at a couple of new stalls too.

The fabulous Passion 4 Juice bar had been moved from its usual spot outside the Gilded Balloon to a new, much quieter, location on the south side of George Square. They were rightfully indignant at being bumped down the culinary pecking order. From what I overheard, while I was subtly eavesdropping on the muttering punters outside Teviot, the indignation was twofold, and Passion 4 Juice’s presence was much missed in that part of town. Irrespective of Edinburgh’s geographical politics, though, their fresh, zingy smoothies with shots of ginseng and echinacea remain awesome… If you need to recover from over-indulging in their evening offerings (Hot Apple Cider) then I recommend the watermelon, pineapple and mint.

The strawberry and Nutella crepes at C Too provided some sweet and very welcome warmth for DorkySon and me as we queued for a show in the rain. We made almost daily visits to the Mackies Ice Cream bike, shared several hummus and carrot sandwiches in the Pleasance Courtyard, and thought we’d found our favourite festival food when we had the lamb burger from the lovely Outsider people in George Square. BUT… that was before we’d found the Laughing Stock stall tucked away in a corner under the purple head of the Udderbelly. Not just the tastiest burger and chips I can remember eating at the Festival, but the tastiest burger and chips I can remember eating anywhere in a long, long time. I really hope they’ll be back next year.

Earworms

“Sure!” I said. “I’ll do the kids shows! One a day for the entire Fringe.”

Little did I know that I was exposing myself to some of the most persistent earworms known to man. I owe a large and sincere apology to the numerous festivalgoers who have caught me wandering around the city, pushing DorkySon in his pram, belting out songs from whatever kiddy theatre performance I’ve just left.  My voice is not the best. In fact, it’s pretty horrendous. Normally I mime when singing Happy Birthday at family parties. But still…

“I am a mole… and I know… that it is none of my business.”

“Hairy Maclary…. from Donaldson’s Dairy.”

And my enduring favourite… “Stick Man” – pause – “lives in the family tree” – pause – “with his stick lady love, and stick children three.”

Cue jazzhands.

Perhaps by this time next year they’ll have stopped going round, and round, and round in my head. And I’ll be ready for Toddler Tunes Take Two. Bring your earplugs in 2012, people.

Loveliness

If the downside of reviewing kids shows is earworms, then the upside is meeting some of the nicest people at the Festival. I’ve already rumbled on about meeting John Hegley, and being taken aback by how lovely and normal he was. My second interview was science communicator and BBC presenter Marty Jopson. If he’d not had another interview and a performance to do, I would have happily sat under an umbrella in George Square and chatted to him all day. He was interesting! Self-deprecating! Smart, funny, and kind! Obviously he hadn’t received the memo instructing him to display all his performer lanyards prominently and act like a complete arse.

I thought encountering two nice performers was already pushing the boundaries of possibility… and then I found myself reviewing Kevin Cruise. I expected to hate it. I actually loved it. And because I was the only reviewer who bothered to show up to the Bosco Tent in the middle of the afternoon to see him, KC was terribly grateful. I woke up, the morning after my review was published, to a lovely email from him saying thank you.

It was all very civilised indeed. If I am lucky enough to be given the opportunity next year, I will definitely be sticking with the Kids section.

DorkySon upstages his Dad

So I’d made plans to meet a friend for coffee in the Forest Café, not realising that DorkyDad was doing a poetry reading in there the same day, as part of the 36 hour No Sleep In Bristo event. We showed up just as he was coming to the end of his set  – DorkySon couldn’t even see his Dad, as a decent-sized audience and a dividing wall blocked his view – but he sure as heck heard him.

“DADA!” he yelled!

“Shhh…” I whispered. “Daddy’s reading his poems.”

“LET ME OUT, MAMA!”

“Let’s just listen for a minute.”

“I WANT TO SEE DADA”

“In a minute…”

“WHERE IS DADA? DAAAADAAAAAA? WHERE ARE YOU?”

So I let DorkySon out of his pram; just as DorkyDad was starting to read a poem about him. He rushed up, snuggled into his Dad’s legs for a minute, did a couple of twirls for the audience, just to make sure he’d been noticed, and then scooted back over to me. He doesn’t like to be the centre of attention for too long, DorkySon, but he likes to know that you’ve noticed him.

My other highlights, in no particular order, are: The Incredible Book Eating Boy; meeting up with old university friends; Bubblewrap and Boxes; walking along Jawbone Walk and seeing lots of eggs hanging from the trees; a very temporary exhibition of canvases, hammered to the trees, also on Jawbone Walk; overhearing someone tell John Malkovich that their favourite film of his was Con Air; the colour John Malkovich’s face turned when he heard that; hearing my sweet DorkySon say ‘please’ and ‘thank you’ everywhere we went; the Fest end-of-festival staff meal, even though I bailed out to go to bed at 9.30pm; getting squashed on the bus by an embarrassed looking man with a tuba; Fest’s Kid Critics; being very proud of DorkyDad for his show; seeing the outpouring of love for the Forest Café; being grown-up enough that I don’t feel the need to wear my press pass anymore; someone at the BBC saying to my husband “You’re married to DorkyMum? She’s a legend!”

Postcard from Potterrow

Dear Dorky Mum,

Greetings from the Festival.  It has been wet. A lot of rain. And this year nothing is located where it used to be.  No Speigeltent pissing off the neighbors in the middle of Old Town Univille.  And not much happening in the New Town at all, really, though the Book Festival is gallantly holding up what little is left of a Fringe on that side of the tram.

The weather has not been helpful.

The real news is the BBC.  They are here, in style, and they are working hard at doing it well. For the very first time, they have their own venue. We can only imagine what they whispered to the University of Edinburgh to gain access to a central site that was, until a few weeks ago, entirely a place where something will be built between two buildings.

The subcontractors arrived early one morning a few weeks ago and snapped together sturdy grids of basic floor, then raised upon it an elegant wee village. The Big Bubble houses a stage that any artist here would love to occupy. The three pods nearby hold a bar, a stage, and a 15-second video booth. The toilets are excellent.

Somebody thought a lot about this.

I was asked to help organise a poetry slam as part of their programming, four nights featuring six writers, with one winner each evening, then the four best on the final night. Calum Barnes – the President of Edinburgh University’s Literature Society – and I got in touch with people we know and came up with 24 warriors.

It was cool, as cool as I have ever seen the Embra spoken word thing go down in my six years talking here. Every one of those four nights was good.  Every night there were people who had never seen this thing before, and were inspired and amazed.  Every night there were joys and gasps and silence, as poets cut up the roof of that white tent with their words.

Every night it rained.

Cat Brogan won.  Go look at the Beeb site for the footage, for the winning poem. She was crisp and delicious.

This is what I think.  The BBC took a chance, which I appreciate and applaud. They built a big stage for spoken word in Edinburgh and Scotland. The poets, to a person, danced on it. The audience, to a person, liked it. Some of them even fell in love with it.

See you again, same place, same time, next year. The BBC will be welcome back.

Love,

DorkyDad

Edinburgh Fringe… one week to go.

I’ve just submitted my final review for the Kids Section of Fest. There’s still over a week of the Edinburgh Fringe to go, but the working part of my festival is over. Hurrah!

It has been a very different experience to previous years doing Fest. Last time I took on a section editor role, I was still a student with few responsibilities. I went to all the festival launch parties, stayed until 3am, and flashed my press pass at anyone who looked in my direction. If there was a party I hadn’t been invited to, I had the necessary chat and chutzpah to blag my way in. I survived on a diet of cheap wine, free beer and Boots Meal Deals, and spent most of my time in the office, without any sense of whether it was day or night.

This year I haven’t been into the office at all; I’ve done all my writing and editing from home, either in the evenings or while DorkySon naps. I’ve had no invites, no parties (gatecrashed or otherwise), and I lost my press pass in the Meadows Playpark on day three. I’m still waiting to find out if I can get a babysitter, so I can go to the staff meal on Monday night.

It has been a bit odd, to see a very different side to the festival. But, in truth, it has been the best ever. There have been so many pleasant surprises and fun moments.

Number one surprise was the guys at Fest. How nice it was to have an employer who treated the fact that I have a two year old as a selling point, rather than a hindrance. “Great!” they said. “We’ve never had anyone with a kid write for the kids section before! You’ll bring so much knowledge and experience to the role. We’ll really appreciate your perspective.”

They went on to tell me that I could sort out my own review schedule, and fit my work around DorkySon’s nursery hours. “Don’t worry about showing up to the staff meetings,” they said. “We’ll just give you a call afterwards, at a time that suits, and let you know the important stuff.”

As long as I got the job done, the captains of the good ship Fest didn’t care too much how, when or where I did it. Well hello, rest of the world. It is totally possible to be a family friendly organisation, if you choose to recognise the benefits that can come from employing a mother or father.

The second surprise was that the majority of press officers and PRs had the same attitude (although if you’re asking me for a clear winner, Kelly and the Assembly Team get the DorkySon loveliest attitude award, by a mile). They were happy to arrange interviews around childcare, recommend age-appropriate shows, and take ten minutes out of their busy working days to coo over DorkySon while I got my tickets sorted out. In Edinburgh, this August at least, the age-old stereotype of press officers suffering from collective child-hating stink-eye did not ring true.

There have been plenty other moments worthy of note, but it’s late, and I have to be up to flyer for DorkyDad’s show tomorrow morning, so I’ll do further highlights tomorrow 🙂

Life with A Poet at the Edinburgh Fringe

This originally featured as a guest post on the excellent blog 12 Books in 12 Months. Thanks to lovely Ali for the opportunity to post there. As well as checking out her blog, you should become a fan on Facebook.

It was also, rather excitingly, published on Huffington Post UK.

It’s not always easy being married to a poet. Young and I use up a significant number of babysitting credits, not on romantic dinners, but on evenings in dingy pubs, where I sit and watch him reading to half a dozen people. He is always shouting ‘that’s a poem’ in the middle of our conversations, and rushing off to scribble down a phrase or idea. And we spend hours trekking around stationery shops looking for just the right notebooks, because no others will do (yellow Levenger – A4 – lined).

I have always consoled myself with the thought that maybe, one day, Young would write a lovely poem about what a wonderful and supportive wife I am.

In some moment of madness, earlier this year, Young agreed to do a solo show as part of the PBH Free Fringe. He may have still been on some crazy, slam-induced adrenaline high after his time at the Poetry World Cup in Paris, or he may have genuinely thought it was a good idea… I will never know.

All I know is that it has taken over our lives for the last couple of months. We had no idea what was involved (and I use ‘we’ intentionally – this has certainly been a joint venture). Doing a ten minutes slot at someone else’s show is one thing; doing a whole hour by yourself is quite another.

There is the constant emailing about organisation, the Fringe registration, and the flyers… there are Tweets, texts, and Facebook event pages… there are press releases to send, photos to resize, programme entries to write, and blog posts to pimp…there is deciding what to wear, and how to stand, and whether it’s okay to read off the page… there is showing up to every other spoken word show, in the hope that the favour is returned… there is flyering in the rain, a preview in London that you really don’t want to do… and then that awful feeling of performing to two people, one of whom is your mother-in-law.

Oh yeah, and then there’s that hour-long show to write.

So why does he do it? What makes it worthwhile? I can’t speak for Young, but I think it’s probably for the small moment of satisfaction you get; from that one person who comes up at the end of a show and says that one of your poems has touched their heart; from that one stranger who takes the time to write something nice on your Facebook page; and from that one short but sweet review (she says, hopefully) that you can cut out and stick in your son’s scrapbook.

I do not grudge a minute of the time that Young and I have spent working on his show. Putting all bias aside, I think it is wonderful, and I am incredibly proud of him. I don’t even mind that in order to hear the one poem that he finally wrote about me, I have to sit and listen to fifty minutes of poetry about the other women in his life. I just hope that after all that effort someone (other than my Mum) shows up.

Young Dawkins performs What I Know About Women So Far at The Royal Oak on the following dates:

8th-11th and 15th August at 2pm

22nd-25th August at 3.15pm

You can visit his website at www.facebook.com/YoungDawkins

He is also compering the first BBC Slam Poetry Competition at the Fringe, details of which can be found here, here, and here.

Edinburgh Fringe: The Halfway Point

We’re halfway! Or almost. It may be only one week into the Edinburgh Fringe, but on Sunday the third issue of Fest magazine will be sent to the printers, with only two further issues to go… and by Monday afternoon DorkyDad will have done five of his solo spoken word shows, with only four more shows left in the run.

There is plenty fun left to be had, (and hopefully the sun will make an appearance at some point too), but here are some of my highlights (and a couple of lowlights) so far.

Highlight: Fest writer cuts out the middlemen

This made me laugh. We wanted to do an interview with the wonderful Neil Gaiman for the Kids section of Fest. Stevie – the writer who was assigned the job – spent several days trying to track him down – through the Book Festival Press Office, then Neil’s publishers, then his PR, then his PA…  They were all very friendly, but noncommittal because Neil was ‘travelling’. When her calls weren’t returned, she finally resorted to sending him a message on Twitter, and within an hour they’d got a time and venue set up. Seems he was in Edinburgh after all. Props to Stevie for tracking the man down, and props to Neil for responding so positively. You can read the interview here.

Lowlight: Rain

There’s really not a lot to be said about the rain, except that it is ever-present. It makes everything harder – flyering, queuing, getting DorkySon’s pram into any of the outdoor venues, finding somewhere to have lunch – and I hope it goes away soon.

Highlight: I pretend to be John Hegley, briefly

I was lucky enough to spend half an hour interviewing John Hegley, who is also in town with a show. We started chatting about social media, and I mentioned seeing that he’d joined Twitter a few days earlier, and was already up to 2500 followers. “Well yes,” he said. “But a friend set me up and I don’t really know how to use it. There’s something I want to say to all my Twitter followers today though. If I give you my password will you send it out for me?”

Umm…

So he wrote what he wanted to say in my notebook (and, amazingly, it was exactly 140 characters long….), and then he wrote down his password. And when I came home, I logged into John Hegley’s Twitter account and sent a Tweet on his behalf.

I’m still scratching my head about that one. What an amazingly trusting, lovely man. You can read the interview here.

 Lowlight: Rioting

Okay, so the riots didn’t spread this far North. You can see the full extent of the Edinburgh riots here. (You really should watch that, it’ll make you laugh…) But the city is full of Londoners at this time of year, and it wasn’t much fun for them to sit several hundred miles away, watching the news footage on TV and wondering if they were going to have homes to go back to. Nearly a week on, and most comedians have incorporated something about the rioting into their show, but it still cast a shadow over proceedings for the opening weekend.

Highlight: Fest’s Kid critics cut everyone down to size

‘How cute!’ everyone said. ‘What a nice idea’ they cried. Yes, everyone thought it was a great idea to have children – aged between 5 and 10 – reviewing children’s shows for Fest… until they started to read the submissions.

“I did get bored as it was a bit too long.”

“One of the actors sometimes forgot their lines.”

“I only give the show one star.”

Personally, I think they’re some of the best reviews I’ve ever read of the festival. Completely honest, to the point, and BS free. The kids aren’t self-conscious, they don’t dress things up with long words, and they write for themselves rather than their audience. If there’s any justice, they’ll be back again next year.

Lowlight: Celeb Spotting

I’m not doing very well with this yet. I’ve seen Mark Watson walking up some steps in George Square, and Stewart Lee pushing a pram through the rain in Marchmont. Meanwhile my friends are putting pictures of themselves with John Malkovich up on Facebook. Must do better.

Sorry for the lack of blog posts at the mo. Hopefully that gives you some idea why. Normal service will be resumed in September.